100 Best Albums of the Eighties
42. The Robert Cray Band, ‘Strong Persuader’ “I think that my band was part of a blues-roots movement that included people like the Fabulous Thunderbirds and Stevie Ray Vaughan, who were coming along at that particular time,” says bandleader Robert Cray. While Cray’s sense of what was happening on the American rock scene in late […]
“I think that my band was part of a blues-roots movement that included people like the Fabulous Thunderbirds and Stevie Ray Vaughan, who were coming along at that particular time,” says bandleader Robert Cray. While Cray’s sense of what was happening on the American rock scene in late 1986 is accurate, it modestly downplays the accomplishments of the singer-guitarist and his backing trio.
In February of that year,Â Strong Persuader ”” Cray’s fourth album ”” hit Number Thirteen on theÂ Billboard pop-albums chart, making it the highest-charting blues album since Bobby “Blue” Bland’sÂ Call on Me/That’s the Way Love Is, which reached Number Eleven some twenty-three years earlier.Â Strong Persuader, in effect, introduced a new generation of mainstream rock fans to the language and form of the blues.
An army brat who grew up on bases in West Germany and the Pacific Northwest, Cray was introduced to popular black music at home, but he discovered blues artists on his own as a teenager. “I still have a lot of the same influences today,” Cray says. “People like Albert Collins, Buddy Guy, O.V. Wright and Sam Cooke.”
In his lyric themes, Cray often veers away from the hard-luck road trod by most bluesmen. But his trebly, razor-sharp guitar playing is straight out of the electric blues tradition, and it provides Strong Persuader with a distinctive edge.
Signed to the small High Tone label when work onÂ Strong Persuader began, Cray was hoping to hook up with a larger company. “The production on the first records was too low-budget,” he says, “and we were looking for a major label because we want to make a better record every time.”
Cray and his band eventually cut a deal with PolyGram, but they continued to work with producers Bruce Bromberg and Dennis Walker, who had produced their High Tone albums. As a result,Â Strong Persuader was released with a combined High Tone/Mercury imprint. In addition to coproducing the album, Walker contributed “Right Next Door (Because of Me),” a tale of infidelity played out in a motel room. The song, which became the album’s centerpiece, also includes the lyrics from which Strong Persuader derived its title.
The song that really droveÂ Strong Persuader up the charts, however, was “Smoking Gun,” a smoldering tale of jealousy and murder. Although released two months after the album hit the streets ”” late for a first single ”” it became a Top Forty hit, and the video became a staple on MTV.
Strong Persuader ultimately went gold, a feat virtually unheard-of for a blues album. Yet Cray maintains that the album was less a departure from his blues path than a natural evolution. “The recording sessions have been pretty much the same for each of our albums,” he says. “I just thought the quality of the music we were making was getting better. It was about the whole band being together.”