How Ed Sheeran’s New ‘Songwriter’ Doc Goes Inside the Hitmaking Process

“Songs are weird things,” Ed Sheeran says during Songwriter, a new documentary that chronicles the creative process of his triple platinum 2017 album, ÷. “They just come and go. They never give you any warning.”

Songwriter, which is currently in theaters and will be available on Apple Music on August 28th, manages to capture Sheeran’s songwriting process in real time. He gave unprecedented access to his cousin and longtime videographer, Murray Cummings, who decided to use his first film to zero in on the the elusive, rare moments of song creation that he felt had never been documented.

“There’s a scene in Jay-Z’s [2004 film] Fade to Black where you see him and Timbaland writing a song, and as soon as Timbaland plays the track I remember thinking, ”˜Oh my god, that’s the first time he’s ever played Jay-Z that riff that everybody now knows is a bit hit,’” says the director. “It really excited me, and I remember thinking to myself: I wish the whole movie was just all scenes like that.”

One unintended consequence of Cummings’ constant filming of Sheeran during the writing of his most recent album is that the filming itself ended up subtly influencing Sheeran’s own songwriting process. Knowing he was constantly being recorded freed Sheeran up to improvise lyrics and phrasing on the spot without writing them down. “Sometimes Ed would kind of forget what he had sung and then he would look at me and go, ”˜You filmed that, right?’”

Sheeran’s outsized commercial ambition is on full display. Despite being at a commercial peak, he doesn’t hold back on future ambitions. “If you don’t wanna be bigger than Adele, you’re in the wrong industry,” he says at one point. “I don’t want to be the male Adele. I want to be Adele.”

But despite his single-minded career focus during the making of ÷, Sheeran maintained a hands-off attitude to the film. When Cummings sent it to him, Sheeran responded with just three comments: “One of them was to change a shot of the back of his head because he didn’t think it was engaging; another one was a swear word that he wanted to cut, and then the last one was to change the end montage to have less studio footage and more fun stuff fans haven’t seen.”

Sheeran with Benny Blanco, who board a cruise ship for a songwriting session in the film. Photo: Courtesy of Abramorama

Cummings’ ultimate goal for the film? “I really just want it to cause people to pick up the guitar or whatever they’re into,” he says. “I wanted it to work on a couple of layers, whereby fans will love it because they get to see what he’s like away from the stage. Songwriters who are interested in music and how it comes to be can be appreciate it on that level. And then also people who either don’t know Ed or don’t think he’s their cup of tea can get interested and get a bit of respect for how hard he works and how he gets songs written.”

With more than ten years of footage to sift through, Cummings says he realized how to focus the sprawling documentary came when he settled on the film’s title. “I see the genre that Ed is in as ”˜singer-songwriter,’” he says. “So I just crossed out ”˜singer’, called it ”˜Songwriter,’ and focused on that.”