News & Updates

Hear Mumbai Rock Artist February 31st’s Surging New EP ‘Fuzzbox’

Producer-guitarist Lakshman Parsuram talks about how he discovered his love for effect pedals that helped create a sprawling, post-rock and shoegaze-informed sound

Published by

In early 2020, composer, producer and guitarist Lakshman Parsuram attended a crowdfunded festival Control ALT Delete and found a surprising development among bands playing there. “It was so nice to see so many people using pedals and I fell in love with pedalboards again,” he says.

This led to his project February 31st’s 2020 EP From A Room but also formed the building blocks for his latest EP Fuzzbox, which released in November and was entirely a pandemic project. “I had a lot of time to sit and mess around with ideas and tones,” Parsuram says. While there was a bit of commercial production work taking up his time, he spent January to September this year chipping away at ideas that ranged from post-rock to shoegaze to a bit of alt-rock.

The result is a hazy yet emotive and urgent collection of sounds, fed by “wall of sound guitars” that Parsuram says he loves. The song “Mine To Keep” was centered around a fuzzy riff that he soon realized was the glue that held the five tracks together. Lyrically, though, he was writing about relationship experiences but also “incorporating things I’ve seen with friends.” He adds, “I was trying not to be too personal about things.”

Among the surprises that Parsuram springs on listeners within the first few minutes of Fuzzbox — which kicks off with “In Sin” — is his vocals. “It was a big first for me. I didn’t think I’d be singing,” he states. As it turns out, he added rough vocal ideas (starting with the song “Zerox”) and began working more on sung melodies. Then came the lyrics. Between the 2014 debut EP Of Dusk and Dawn and a single with Ink of Bard called “Float” in 2019, it had been a long time since he’d sung or even written lyrics. “It was the most structured thing I did,” Parsuram says of taking on writing duties.

Beyond the release of Fuzzbox, the artist is keen on February 31st live as well as finishing up the next Ink of Bard EP. “Anokha [Kumar, singer-songwriter] and I ended up writing a few songs before the pandemic and did a bunch of rough vocals at the time. I’m intrigued about the live thing, though. The last time I played live was in 2014. Let’s see how that goes,” Parsuram says.

Stream/buy ‘Fuzzbox’ below. Hear on more platforms here.

Recent Posts

The 25 Best K-Pop Songs of 2025

This list of songs combines massive chart performance, social‑media frenzy, inventive styles, emotional resonance, and…

December 13, 2025

Hits and Misses of Jungkook’s ‘Golden: The Moments’ Exhibition

Deep diving into the BTS maknae’s sonic psyche, the immersive audio-visual showcase made its long-awaited…

December 13, 2025

Revisiting Zakir Hussain’s Iconic Collaborations

Ahead of a two-day tribute concert to the tabla legend at the National Centre for…

December 12, 2025

Taylor Swift’s ‘The Life of a Showgirl’ Was the Biggest Album of the Year — And It Wasn’t Even Close

The top LP of the year once again belonged to Taylor Swift, who went platinum…

December 12, 2025

Timothée Chalamet Won’t Confirm or Deny if He’s the Mysterious U.K. Rapper EsDeeKid

“All will be revealed in due time,” actor says of the rumors he’s moonlighting as…

December 12, 2025

How Did 50 Cent Get That Sean Combs Footage? Diddy’s Videographer Explains

Michael Oberlies says the footage of Sean Combs talking to his team was released “by…

December 12, 2025