The crew behind Beatles and Elvis spectaculars tackles the King of Pop

Cirque du Soleil, which spent nine months negotiating with Jackson’s estate, will have access to his catalogue, including new remixes and unreleased tracks. The tour will begin in North America, then branch out to places like China, Japan and Europe; the Vegas show, in a theatre yet to be determined, will use technology in cutting-edge ways, perhaps even creating a hologram of Jackson performing. “We’re thinking 3-D, the use of holograms, motion simulation,” says John Branca, co-executor of Jackson’s estate. “[Cirque] were completely into that.”
Jackson’s estate is also planning to launch a reality-TV search for a choreographer; talks with networks are taking place now. Sony Music, which paid $250Â million for the rights to Jackson’s catalogue in March, plans to release a soundtrack album coinciding with the Cirque shows, sources say.
So after their 2004 meeting, why didn’t Jackson and Cirque collaborate during his life? “This guy had a lot of different projects going on at the same time, and we had many different projects going on at the same time, and we never really found the appropriate moment to make it happen,” Lamarre says. “But we were bound to work together.”
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