"It’s Transformers with a brain, a heart and a working sense of humor. Suck on that, Michael Bay."
All hail the warrior king of this dizzying, dazzling 3D action epic. That would be writer-director Joss Whedon, enjoying the afterglow of stellar reviews for deconstructing horror in The Cabin in the Woods. Here, in his second directing feature (after Serenity), Whedon stages the most exultantly good-humored, head-on, rousing series of traps and escapes since Spielberg was a pup. It’s Citizen Kane for Citizen Geek.
That’s the conflict, and the signal to unleash the FX. But Whedon is exploring richer ground. He sees the Avengers as the ultimate dysfunctional family. Their powers have estranged them from the normal world. As a result, they’re lonely, cranky, emotional fuck-ups, which the actors have a ball playing. Robert Downey Jr. still seems blissfully right as Tony Stark, a.k.a. Iron Man (there’s a disarming tickle in his portrayal). He mocks the costume of Captain America (a canny Chris Evans) and calls the World War II hero an “old man.” The captain wonders what’s under that iron suit, sparking a priceless Downey deadpan: “Genius, billionaire, playboy, philanthropist.”
Mark Ruffalo is the newcomer to the team, replacing Edward Norton and Eric Bana as Bruce Banner, the nuclear physicist with anger issues that turn him into a hulking green rage machine. Ruffalo brings a scruffy warmth and humor to the role that’s revelatory. His verbal sparring with Downey ”“ two pros at the top of their games ”“ is a pleasure to watch. And, wonder of wonders, the techÂies finally get the scale of the Hulk right. The computerized unjolly green giant is a jumbo scene-stealer. And it’s hard not to cheer when Hulk wipes up the floor with Loki.
Speaking of Loki, and it’s hard not to, bring on a shower of praise for Hiddleston. A superhero movie is only as good as its villain, and Hiddleston is dynamite. The role of Loki demands intuition, wit and crazy daring, and Hiddleston brings it. The British actor (War Horse, The Deep Blue Sea) is a force to reckon with.
Loki claims early in the film that his heart “burns with glorious purpose.” He’s got nothing on Whedon, a filmmaker who knows that even the roaringest action sequences won’t resonate without audience investment in the characters. Whedon is not afraid to slow down to let feelings sink in. Fanboy heresy, perhaps, but the key to the film’s superÂsmart, supercool triumph. In the final third, when Whedon lets it rip and turns the battle intensity up to 11, all your senses will be blown. I have one word for The Avengers: Wowza!
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