As a director, Rob Zombie makes horror films that are as loud as his music ”” dark, grungy, old-school grindhouse movies full of screaming women and buzzing chainsaws. As a fan, however, his taste often runs toward the silent horror of the 1920s: “What I love about these films is they’re so far removed from what movies are now,” the former White Zombie singer explains. “I mean, they were never silent because there was always live musical accompaniment, but they feel like such a different experience when you watch them.”
If funded, Zombie’s next film, 31, will tell the story of five people who are kidnapped in the five days leading up to Halloween. While waiting to see if the project comes to fruition (the drive ends tonight), the director got on the phone to discuss some of these films, picking his five favorites and explaining why they remain so captivating.
1. Nosferatu (1922)
2. The Unknown (1927) still doing it. I asked him afterwards, ‘Was there a certain score that you would always play?’ And he said, ‘No, I would make up something different every time I watched it.’ It’s so much more than a movie ”” it’s like you’re getting a once-in-a-lifetime concert at the same time.”
3. West of Zanzibar (1928) West of Zanzibar  is just mind blowing. The movies back then, the plotlines are so sinister, because the Hays Code hadn’t come into effect yet to ruin movies by trying to clean them up. The things that are going on in these movies are so diabolical and strange.”
4. Phantom of the Opera (1925) Phantom of the Opera with this giant opera house with the chandelier falling and the catacombs, you’re like, this all was built by live humans. If there’s 1,000 extras, there’s actually 1,000 people on set that day.”
5. London After Midnight (1927) “I’ve never seen it, because it’s the great lost film of all time. It was somehow destroyed, but Tod Browning later remade it as a movie calledMark of the Vampire with Bela Lugosi. I can’t believe that it’s lost; the movie industry was so new that they figured, ‘Ah, we already showed it. Who the hell is ever going to watch this again?’ It’s not even an obscure movie ”” it was made by a major director at the time with Hollywood’s biggest star, Lon Chaney. But still, ‘Eh, whatever, let’s melt it down for the silver.’ It’s just one of those films where you see the picture and go, ‘God, if there were ever one movie I wish I could see, this would be it.'”
Reporting by Josephine Yurcaba
