South Korean
Cannes: The Disappointment of Opening Films, a Donkey’s Adventures and Korean Confusion
This year’s festival sticks to a long-standing tradition, while delivering a mix of hits and misses
Pop Stuff: ‘Parasite:’ How Director Bong Joon-ho Became a Household Name
If Bong Joon-ho’s work has a through-line, it is that at its core he is keenly and consistently attuned the power to provoke a kind of self-reckoning
